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Two of the novels produced |
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during this "cultural bloom" |
What I personally found particularly compelling about these chapters was the “cultural bloom” that occurred during
the mid-Weimar period. This was a time when there was an influx of literature, art, and other cultural aspects. This cultural growth is particularly interesting because
while it echoes previous cultural growths that occurred in the German nation,
it also has some aspects that are unique to this movement. It is these
differences that really piqued my interest and brought this section to my
attention. However, first consideration must be given to the one thing that pervaded
this and many German cultural revolutions before: the press.
Since
Gutenberg first perfect the Chinese printing press, the press has been
exceedingly important for cultural revolution in Germany. The clearest example
of this is the time of Martin Luther, where he used the printing press
extensively to mass-produce his works and spread his ideals to many people. The
cultural revolution of the mid-Weimar era was no exception to this rule. During
this time, there existed a great number of newspapers that not only provided
basic reporting, but also provided commentary on the government. The political
backings of the newspapers were wide and varied, but it was through this medium
that many cultural ideas were allowed to spread throughout Germany (Schulze, 222).
Now that we’ve gained an appreciation for how this revolution was similar to
previous one, it’s time to examine the differences that sets this cultural
revolution apart from others.
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One of the popular newspapers of the mid Weimar-era |
One of
the biggest things that grabbed my interest was how this period of cultural
growth was marked by the dissolution of the bourgeois class. Before the
mid-Weimar era, “The loss of the war and the periodic catastrophic inflation
that followed had shaken the confidence of the bourgeois society and ended its
role as a distinct class…” (Schulze, 220). Previously, all cultural revolution
took place in the middle class, for example, when searching for the “German”
identity, people would be directing their works towards the middle class
(Schulze, 98). For this reason, this Cultural Revolution was slightly
different; it was able to reach more people and more people felt as if they
were participating in it when compared to previous times of cultural change. On
the other hand, Schulze notes that, “…this does not mean that the new art was
in any way more representative of mass culture or popular taste” (220). This is
an interesting paradox; while more people were given the opportunity to participate
in this cultural revolution, it still did not effectively represent the
thoughts of the masses. It appears that rather than representing the general or
popular opinion, the German cultural scene was represented by two extremes; the
leftists and the rightists.
Schulze
notes that, “The far left and the far right made up the great majority of the
Weimar cultural scene…” (221). The culture during the Weimar-era is interesting
because it is headed by two groups that represent two extremes of thought that
were both shaped by the same event, namely the Great War. In the case of the
leftists, they learned that everything to do with the military or killing was
both evil and senseless. On the diametric opposite side, the rightist
remembered, “…the fiery furnace in which a new kind of man had been forged of
blood and iron” (Schulze, 221). Although
these two sides both drew different conclusions after the war, there was one
thing that brought them together; their disdain for the existing democratic
government of the time. Writers, artists, musicians, and other individuals
involved in the cultural world were quick to mock and ridicule this system. I
personally find this interesting because the culture was so divided but they
could agree to hate the governing system that ruled over them all. Such a
strong cultural divide on every subject but
the government leads me to believe that having a culturally common enemy was
what brought the German culture together on a superficial, but significant,
level. This cultural convergence of attitudes and disdain for the current government represents a time of
growth not only for Germany, but a society perfectly prepared to listen to Hitler's ideals.
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